Bringing Down the New Jim Crow – Radio Series

Today on Facebook, Michelle Alexander reminded us about the radio documentary series Bringing Down the New Jim Crow.

I did not realize that it was already out. They had been raising money this summer (Crowdfunded Radioshow to Illuminate the Intersection of Race and Incarceration) and they made their goal. We have some catching up to do, so gather your friends or set up your listening station as you do the dishes (my favorite!) and tune in!

The radio series “explores the intersection of the drug war, mass incarceration, and race in the contemporary U.S.”

There are three episodes out:

  1. A Bitter Harvest: California, Marijuana, and the New Jim Crow
    A Bitter Harvest views Michelle Alexander’s “The New Jim Crow: Mass Incarceration in the Age of Colorblindness” through the lens of California’s marijuana industry.
    Marijuana is the single largest agricultural commodity in California and it is the primary vehicle for the war on drugs’ racialized arrest and incarceration system, which has our prisons bursting at the seams nationwide. Great numbers of predominantly white men and women grow, harvest, and process marijuana in California for distribution throughout the United States. Local law enforcement and the communities they represent – communities whose economies are marijuana-dependent – benefit from letting this part of the illegal process go mostly undetected, while the crackdown happens almost exclusively in poor inner-city neighborhoods of color.
    Through interviews with Michelle Alexander, Stephen Gutwillig (Drug Policy Alliance), and Vincent Harding (renowned veteran of the African-American Freedom Movement), this program cracks open the question of why and how this discrepancy exists, and it explores some of its devastating consequences. It’s a show that grapples head on with the reality of white privilege in the United States.
  2. On the Other Side of the Myth: A Conversation with Michelle Alexander and Tim Wise
    This second installment in the series titled Bringing Down the New Jim Crow features the first ever dialog between legal scholar Michelle Alexander and anti-racism educator Tim Wise. An engaging, provocative interchange touching on the prison-industrial complex, white privilege, Trayvon Martin, and the unceasing quest for racial justice in the United States. Produced by Chris Moore-Backman, with music by Joe Henry.
  3. Children of the Same Sorrow: The U.S./Mexico Caravan for Peace Takes on the Drug War
    This moving and provocative documentary chronicles the historic journey of the “U.S./Mexico Caravan for Peace,” which from August 12th to September 12th, 2012, crossed the entire United States calling for an end to the war on drugs and bearing witness to the human rights nightmare unfolding in Mexico. Radio documentarian Chris Moore-Backman travelled with the caravan for 5 days, capturing the spirit and message of those on board, and examining the deep connection between the struggle for peace in Mexico and the struggle to end the racist system of mass incarceration in the United States. The show features a dialog between Michelle Alexander (author of “The New Jim Crow”) and Javier Sicilia (renowned Mexican poet and leader of the “Mexican Movement for Peace, with Justice and Dignity”). It also includes heartbreaking testimonies of mothers of victims of Mexico’s horrific drug war violence, and interviews with the U.S. and Mexican activists who launched this historic bi-national effort. A powerful testament to twin justice movements, which points to the crucial need for movement unity across races, and across borders.

New project trying to get underway with the work of Michelle Alexander’s New Jim Crow. Check out Prison Photography’s blog post for more information!

Prison Photography

Measured by any metric, Michelle Alexander’s The New Jim Crow: Mass Incarceration in the Age of Color Blindness is a scathing and utterly contemporary critique of American laws.

Now, a crowdfunding effort wants to bring the bestseller to the airwaves.

Alexander has argued that the confluence of many new sentencing laws in recent decades has created an inescapable web of penalty, deprivation and economic traps against the poorest Americans. As we know a disproportionate number of poor Americans are black and brown. A pervasive racial bias in law, particularly Drug War legislation has hit minority groups and resulted in stark, debilitating and unjust institutional racism.

NPR set up its interview with Alexander as follows:

“Alexander argues many of the gains of the civil rights movement have been undermined by the mass incarceration of black Americans in the war on drugs. She says that although Jim Crow laws are now off…

View original post 504 more words

Screening of Music From the Big House – And a Strong Hug When You Need It

Yesterday was the screening of Music From the Big HouseYou might remember that I already wrote a post about it: You Can Hear It Through The Prison Walls: Music with Rita Chiarelli and of Johnny Cash.

The making of this documentary, Music From the Big House,  began when Rita began her journey down the Blues Highway – U.S. Route 61. Her first visit into the Louisiana prison, Angola, began by a cold call from a near by gas station to ask if she could come in a visit, to see the prison where there is a rich history of blues music – including Lead Belly’s Goodnight Irene.

Within the documentary’s soundtrack, Rita writes:

While doing research, with the intent that I would make every stop that is a must on this pilgrimage, I came across Louisiana State Penitentiary, aka Angola.

The information about this place jumped out at me. This was a place that had a musical history, a history that had been archived in recordings – inmates recorded as they worked, spirituals, work songs, and blues… and songs by their famous ‘son’ Lead Belly.

It was my quest to add to the prison’s musical history, or maybe I should say ‘to provide an update’.

During her visit, a discussion with the warden began… after hearing that many musicians have performed concerts in the prison, Rita had a unique idea – to perform a concert with the men of Angola. That was something that had never been done before and the documentary was part of documenting this new experience and the present state of music at Angola. Music is performed in the genres of jazz (The Jazzmen), country (Little Country), and gospel (Pure Heart Messenger).

From each of the bands, the audience has the opportunity to get to know the some of the men via conversations with Rita. One of the men we get to meet is Ray Jones from the band Pure Heart Messenger. Ray is also Angola’s law librarian and in the film we get to see him in the law library where he also religiously counsels fellow men behind bars.

Through the documentary, we see Rita struggle with being in Angola… one scene is of her in her hotel room and after a verse on her guitar she becomes heavy and embraces her guitar. Later on we see her express getting to know the men who are truly sorry for the crimes that they have been committed (and that perhaps their sentence and confinement is unjust) and then she expresses that we also cannot forget the victims. During Q and A, an audience member asked if the men in the film had a chance to see it. They did. Rita stated that she was nervous during the scene when she talked about the victims, unsure how the men would take it. They expressed that thinking about the victims was part of their journey too. At the end of the screening in Angola, Rita received a standing ovation.

Lately I’ve been struggling with handling the emotions of being in the PIC and being aware of how unjust the system is and how to handle the stress of the atmosphere. Being in the jail library isn’t necessarily stressful nor do I feel in any danger, but getting to know the patrons and having an understanding of their situation, etc. has been difficult lately. I attempted to ask Rita how she handled the situation of being in and out of Angola…

In the Q and A, an very young boy asked her how the first time in the prison made her feel; her answer was that she couldn’t get it out of her head – the size of Angola is the size of one of the New England sates… which one I don’t remember now that I’m home.

And, in the jacket of the sound track she wrote:

To say the experience changed me is an understatement. I’ve been changed forever.

I was nervous to talk to her… not everyday do you meet someone with the title of Queen of Blues! Oh, goodness! I could barely ask my question without crying because I’ve let the emotions of trying to find the right balance dwell for so long without knowing how addressing them. Rita gave me a big hug and let me have my moment. She pretty much told me I would figure it out. I don’t really remember what else she told me, but before I left, she held my hand tight and it felt like she wouldn’t let it go. Having someone who understood what it is like to have to deal with one’s emotions of being in the PIC expressing that I’ll find my way and provide physical comfort through a hug and holding my hand was incredibly comforting (especially when being far from home and away from a community where long hugs were abundant)!

So, Rita Chiarelli, thank you for the hug and sharing your musical journey with us. What you have shared is shaping my journey with prison librarianship.

For more information on Rita Chiarelli’s documentary visit the documentary’s website. Rita’s tour is half way done – check out the rest of the tour dates on the website! Part of the sound track’s proceeds are going to Angola’s music department.

In case you missed it before, here’s the trailer:

You Can Hear It Through The Prison Walls: Music with Rita Chiarelli and of Johnny Cash

This new documentary – Music From The Big House – is being shown in my town! After just learning a little about prison libraries in Canada, it is great timing to be able to see the Canadian Queen of Blues’ work in Angola prison, located in Louisiana.

About the documentary:

In MUSIC FROM THE BIG HOUSE, Rita Chiarelli, Canada’s Queen of the Blues, takes a pilgrimage to the birthplace of the blues, Louisiana State Maximum Security Penitentiary a.k.a Angola Prison – what used to be the bloodiest prison in America. Rita’s trip turns into a historic jailhouse performance – playing with inmates serving life sentences. Their shared bond of music, and Chiarelli’s vivacious personality, draw striking revelations from the inmates. Rather than sensational stories of convicts, we witness remarkable voices of hope as their love of music radiates humanity and redemption on their quest for forgiveness.

Here’s the trailer:

While looking into music in prison, I had no idea Johnny Cash is well known for his concerts in prison and made a pair of records dedicated to his concerts (Johnny Cash at Folsom Prison [1968] and Johnny Cash at San Quentin [1969]). ” At Folsom Prison in 1968, Johnny Cash gave a concert that would later famously give his fans a peek inside prison walls” (NPR).

You can hear (& read) a story about Cash and his music in prison at NPR – Inside Johnny Cash’s Folsom Prison.

Here’s Cash singing San Quentin live:

Seeing these videos makes me wonder about music collections in prison libraries and how it could serve patrons through a very different media.

“Behind Those Books” Documentary on Urban Fiction

I’m super excited for the documentary Behind Those Books to be released. Until then, here is an extended trailer. Through this clip one can see the different views surrounding Urban Fiction and authors, such as Zane, speak.

Here is a little of what the film is about from their website:

“‘Behind Those Books’ reflects the harsh and unpleasant realities of inner-cities across the United States and sheds light on the rationale for these stories to be told. The viewer is taken on a journey that tackles social issues that have been brought to the forefront as a result of this art form. The urban and hip-hop cultures have discussed this topic but it has never been given the attention that it deserves on such a grand scale until now. […] Behind Those Books is a documentary that is guaranteed to change the perception of some and challenge how others feel about tales of street life in the inner-cities.”

behind those books

“I am a abandoned child. My mother was a whore. And the things I saw through these eyes, no child should have had to witness or experience. So am I wrong for writing about my life that I saw?” —Treasure E. Blue
author of Harlem Girl Lost